By reviewsphere / 31st January 2020
Edinburgh Tradfest announced its return in 2020 thanks to the renewed support of Creative Scotland’s open funding programme. Tradfest brings...
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By reviewsphere / 30th January 2020
Magical theatre in magical surroundings Chapterhouse Theatre Company is excited to present its 2020 open-air tour for its 21st anniversary...
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By reviewsphere / 30th January 2020
Glasgow International has announced details of its ninth edition, the second of Director Richard Parry. Comprising 54 exhibitions and 82...
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By Peter Callaghan / 26th January 2020
Burns is as popular and relevant now as ever. Popular in that his songs - original, collected and reworked (some...
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By Sofia Cotrona / 18th January 2020
In The Botanist’s Daughter, Alexandra Haeseker explores the theme of climate change coherently through the materials, techniques and set up...
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By Sofia Cotrona / 14th January 2020
Created by the collaboration of the Society of Scottish Artist and Visual Art Scotland, this exhibition promised to be the...
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By reviewsphere / 13th January 2020
Humanist, the expansive and ambitious project orchestrated by guitarist and producer Rob Marshall, is announced today alongside the album’s new single...
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By reviewsphere / 11th January 2020
Platform, the arts centre at the heart of Easterhouse, is to be part of Celtic Connections once more - January...
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By reviewsphere / 9th January 2020
Marking the beginning of the 2020 season at Edinburgh Printmakers, The Botanist’s Daughter will be Alexandra’s first solo exhibition in...
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By reviewsphere / 30th December 2019
Tonight the historic streets at the heart of Edinburgh’s Old Town flowed with a flaming river of light as 40,000 people gathered...
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By reviewsphere / 28th December 2019
As imaginative as the creative process it documents, A DOG CALLED MONEY is a uniquely intimate journey through the inspiration,...
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By reviewsphere / 17th December 2019
The Royal Lyceum Theatre Edinburgh in close collaboration with partners of the original production, Tron Theatre and Blood of the...
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