Land of Talk today shared the video for new single “Diaphanous,” the aptly named opening track of the Montreal-based band’s forthcoming album Indistinct Conversations. The atmospheric song is the perfect lead-in to the album’s hazy dream world, where Elizabeth Powell’s masterful, at times cacophonous guitar playing and delicate, stream-of-consciousness vocals are ever-present.
After recording and sharing the initial demos, hearing what Bucky had manifested from essentially just my humming and strumming at once both floored me and swept me off my feet,
What begins as an airy groove swells into a sweeping anthem for going easy on oneself. And, the importance of levity. ~ Elizabeth Powell
About the video, director Lara Kramer adds:
It has been an exciting and meaningful experience collaborating with Lizzie Powell, a strong voice, on the video for ‘Diaphanous.’ Approaching the visual treatment of ‘Diaphanous,’ I led with my sensing the song’s underbelly, the guts. Without pushing the telling of a narrative. Finding self determination in what we chose to reveal and disclose, what we make transparent.
“Diaphanous” follows additional album singles “Weight of that Weekend” and “Compelled,” which earned press from outlets including Pitchfork (Selects playlist), Stereogum, Consequence of Sound, Paste, NPR Music (NMF playlist), and Brooklyn Vegan, among others. All 11 songs on Indistinct Conversations were written by Powell (vocals/guitar/keys), who also produced and arranged the tracks together with bandmates Mark “Bucky” Wheaton (drums/keys) and Christopher McCarron (bass). The trio recorded the album in a studio built by McCarron in Wheaton’s apartment basement.
By drawing back into their interior world while creating Indistinct Conversations, Powell was able to emerge with a stronger sense of self — and more willingness to confront the oppressive structures of the world. This process included embracing their identity as a non-binary femme who uses the pronouns she/they, and engaging directly with the trauma inflicted on them as a “woman-presenting human.”
As Powell stepped into a more authentic sense of self, they increasingly felt comfortable saying more with less, cutting whole swaths of lyrics down to oblique, minimal statements and dropping to a more low-key, almost speak-singing style inspired by Kurt Vile, Courtney Barnett, or Bill Callahan.
I used to think that as a ‘female vocalist,’ as a ‘female singer,’ like…‘gotta sing high! You’ve really got to blow your load in the chorus and show people how high you can go.
Now it’s like, What if I get to the chorus and I don’t feel like singing? What if I just kind of want to get something across in very few words? This record is me being a lot more true to what I want to say and how I would want to hear it, not really trying to cater to any preconceived notions of what a woman is ‘supposed’ to sound like. ~ Elizabeth Powell
That radical self-acceptance, the ability to speak in one’s own voice, is the hallmark of Indistinct Conversations. By digging deep, Powell has found a certainty we all deserve: the realisation that their own voice is enough.