Prism @ Edinburgh King’s Theatre
I don’t know whether Count Arthur Strong saw the original 2017 production of Prism at Hampstead Theatre. Or whether theContinue Reading
I don’t know whether Count Arthur Strong saw the original 2017 production of Prism at Hampstead Theatre. Or whether theContinue Reading
Doncaster, we have a problem: there is an effluent in the room. Sorry, an elephant. When Patrick Moore popped hisContinue Reading
The London and African barber shops frequented by the self-proclaimed strong black men in Inua Ellams’ hit play Barber ShopContinue Reading
There is a sweet simplicity to The King and I, in terms of plot and characters, themes and songs, etContinue Reading
In Hattie Naylor’s stage adaptation of Sarah Waters’ Man Booker Prize-nominated novel of the same name, ambulance worker Kay (PhoebeContinue Reading
There’s something deeply moving about the simplicity of Mamoru Iriguchi’s set design which accentuates the tenderness of James Ley’s beautifulContinue Reading
The Alchemist – an early 17th century satire by Ben Jonson – has been adapted by Gary McNair and directedContinue Reading
With his Scottish brogue, crumpled raincoat and forensic (and at times wry) line of questioning, Liam Brennan’s performance as theContinue Reading
With a plinkety-plonkety recording of “How much is that doggy in the window?” raising a smile pre-show, you’d be forgivenContinue Reading
It’s over 60 years since Shelagh Delaney’s debut play, written at the age of 19, burst onto the stage ofContinue Reading
Cheap jokes about Uranus aside, have you ever tried flirting with a planet? Thought not. But it’s a challenge posedContinue Reading
A caravan and an approaching storm (fittingly entitled Hurricane Boris). The perfect description of a summer holiday in the bestContinue Reading
A small object – spotlit, red and egg-like – lies at the foot of an empty music stand. Around whichContinue Reading
This is the story of a man facing up to the horror of his own creation. No, not a critiqueContinue Reading
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